I liked the first one better. I guess I was just looking for the rogue-like fix of “failing forward” on subsequent runs, but the gameplay loop is much wider on the second one and that didn’t quite satisfy me the same way.

I’ve had it installed for a while now, but I haven’t really jumped in. Are there any particular janky bits to be wary of?

I love how they changed library sharing, too, so group members are only accessing individual games rather than entire libraries.

Maybe I’m just crazy, but I hated all of the characters!

Every comment in these posts seems to be either “StarCitizen killed my family and dishonored my temple” or “can’t believe people let SC kill their family and dishonor their temple.”

Same old hate without real substance.

The video is a redo from the guy who did it live at Citizen Con, because the demo crashed when they were onstage.

I have no problems with it, so I guess I’m some sort of savant? There is such thing as good and bad UI, but I think this is a case of ‘what you’re used to’ causing problems with ‘what is.’

Of what? Valve?

Oh boy! Can’t wait to experience the ramifications of this one!

What’s next? Gonna try to recreate Deep Impact, just to see?

PILLS HERE

Sorry, I’m not sure I understand how that makes it useless. I get the feeling that you just want to feel smug, so if it makes you feel better go ahead, I guess.

Going to have to disagree with you there. I’ve gotten plenty of use out of chat GPT in multiple scenarios. I find it difficult to imagine what exactly you think is useless about it because it seems so indispensable to me at this point.

In general I think emojis add nonverbal context clues to conversations and in my experience are a valuable tool for conveying information quickly. I’m seeing them used in all but the most formal of cases in a work environment and I don’t think that particular train is going to be stopping anytime soon.

For clarity’s sake, the original intent behind copyright was definitely to protect authors and thereby foster creativity, but corporations like Disney have lobbied very successfully over the years to prevent original works from becoming public domain.

Meanwhile, in classic fashion, those same companies have taken public domain works and turned them into ludicrously successful IPs!

I argue that this is a positive aspect of capitalism that our governments have unduly suppressed in favor of corporate sponsors (further solidified by an increasing legal allowance of such sponsorships), and that we should return to a more reasonable timeframe for full exclusivity.