NielsBohron

Anyone who’s ever abused ketamine or DXM knows that dissociating from reality is relaxing.

After all, have you seen reality lately?

Not OP, but mine was really pretty manageable. 2 days of sitting in an easy chair and icing my balls, 2 days of “walking is fine, but avoid any sudden movements,” and a week of “it’s a little sore, but it doesn’t really hurt.” After that, it was about 2-3 weeks where I didn’t really notice it unless I moved the wrong way too suddenly (whereupon I’d get a quick twinge, but nothing too bad).

Really a pretty small cost for the benefits. I don’t really like painkillers, but I do recommend some THC gummies for the first week and a fresh series to binge

I have tons of playlists and saved music on spotify; how is Tidal at importing data from other services? It’s not really a deal breaker, but I’m really picky about my music (so I don’t really care about “radio” features or curated playlists), so it’d be a real pain in the ass to start from scratch.

Even though weed is legal in Canada the legal stuff is the worst and most expensive.

Give it time. I’m far from a connoisseur, as these days I mostly just partake in edibles 1-2 times per week, but California has some pretty sweet weed prices, at least compared to my college/grad-school days. I saw an ad on a billboard just yesterday for 10 USD Eighths at a pretty reputable shop in my town, and I think I usually pay 35 USD for a pack of 10 2-dose THC:CBD gummies (compared to 40 USD for an eighth of mediocre bud in the early 2000’s).

As people get less paranoid about enforcement and local governments ease up on restrictions, the price should come down and the quality should go up (although this probably depends a lot on local government, so who knows, really)

I wish this was true for me, but I only have one record shop within 45-minute drive of my house (and their prices and selection are far from competitive), so I wind up buying pretty much all my records online through Discogs. Frequently, the new represses are just flat-out cheaper than the vintage vinyl, especially for a lot of the more esoteric albums I buy. For instance, even though they’re not really hard to find, for Black Sabbath’s first four albums I paid just as much for mediocre, water-damaged copies of Sabbath and Volume 4 as I did for brand-new represses of Paranoid and Master of Reality. If you actually buy your vinyl to listen to, buying used online can be a pretty big gamble as far as quality, so for the same price, I frequently wind up consciously choosing the new vinyl over the used copy.

Even though I do frequently manage to package one or two cheap used albums with each new album purchased to take advantage of that sweet “media mail” shipping, it’s not even close to a 10:1 used:new ratio.

Edit: I suppose now that I think about it, I’m starting from a pretty decent used vinyl collection from my days in the early 2000’s as a hipster music snob before used vinyl got nearly so expensive, so my collection overall has much more used vinyl than my current buying habits would indicate (I probably have 200 albums, of which 30-40 were purchased new in the past 3-4 years)

What the fuck kind of snakes do you have living around you?

I’m amazed I had to scroll this far too find any mention of notepad++

Bozeman, MT for me, apparently because I listen to a fair bit of Jason Isbell and other new-ish alt-country and Americana. Despite the fact that none of my top 5 artists are alt country, the rest of my listening is apparently eclectic enough that nothing else really came close.

I would have thought that having 60-70% of my listening all in a small cluster of esoteric doom-metal-related subgenres would have placed me somewhere with some sort of a metal scene, but apparently not.

I would have to disagree. Sure, in the modern world, one function of art is to “move money around,” but it’s far from the only function or even the most important function.

I have read it, but I forgot about that detail until you reminded me. I probably have to reread now :)

Haha, I’m just glad at least some people enjoy reading them, since I can’t help but write them (and listening to my endless digressions down Wikipedia rabbit holes is exhausting for my partner).

I agree with everything you said, except I would argue that capitalism is the Sixth Horseman of the Apocalypse, seeing as one of the original four was already replaced during a translation. The original text were interpreted as “Conquest, War, Famine, and Death,” and the story I remember from my New Testament course in college was that in the early 1900’s, it was thought that Conquest was too similar to War, so they used one of the later passages that specified that the horsemen would bring death by “sword, famine, plague, and the wild beasts of the earth” to rebrand Conquest as Pestilence. In fact, now reading up on it from Wikipedia, apparently the first two horsemen were likely both supposed to represent war, with the white rider (Conquest) representing “righteous/justified war” and the red rider (War) supposed to represent “civil war,” which is interesting.

In fact, given how vaccines and modern medicine have dramatically lowered the death by infectious disease in the 20th century, it’s likely time for another rebranding (relevant xkcd), so I’d replace “pestilence” with “capitalism” or even “profit” if I were feeling flowery.

edit: Upon further reading, apparently the third horseman (Famine) could also be interpreted as a form of capitalistic excess, since it’s accompanied by a voice that describes rising market prices for staples such as bread and is carrying market scales. Traditionally, this is thought to indicate Famine as loaves of bread would be weighed during food shortages, but the accompanying voice seems to indicate that luxuries are still available, so I could easily make the argument that the passage is about the rich tending to their own needs while ignoring the needs of the poor (which sounds an awful lot like modern US politics/capitalism).

Edit 2: So I guess I’d rebrand all three of the riders preceding Death so that I’d interpret things as “Imperialism, Extremism, Capitalism, and Death,” or put a little more poetically, “Conquest, Discord, Avarice, and Death”

“Science deniers” is a better description.

Fa real, sa sa ke?

Edit: oye kopeng, don’t forget check ya seals an filters

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Elon seems like the type of guy that would barge into someone’s office when they’re working unpaid overtime, offer them a line of coke, and then fire them for using drugs on the job if they accept (and take the cost of the line out of their last paycheck).

They’re “successful” if you define success as being born into wealth and/or being willing to ignore the suffering of others. For you and me (and most right thinking people), that’s no real measure of success. Unfortunately, capitalism and the US political systems gives power to the people least suited to wielding it.

I mean, I’ve gotten drugs from sketchier people. And if we’re talking about stimulants, that’s almost an advertising point. “So good, it got Elon pulling up floorboards and crashing servers!” is a decent testament to how strong it is.

Plus, if this was a serious conversation, the first thing I would do would be to test for purity and contaminants. Test kits are relatively cheap, and even if you’re open to getting baby powder spiked with bath salts in place of cocaine, it’s better to know what you’re getting into. Test your drugs, people!

Yeah, I literally just sent this article to my partner with the commentary “…and this is why I no longer think we should ever buy a Tesla”

I don’t want this egomaniac in charge of anything that has real-world safety implications for me and mine.

Sounds a lot like another conservative figurehead I could name…

Actually, it sounds a lot like almost all conservative figureheads in US politics.